London, England, United Kingdom
The British Museum
Hegira 692–741 / AD 1293-1341
Width 16 cm, height from 5.9 to 7.1 cm
Two pairs of oblong-shaped ivory panels with carved decoration. Two of the four panels have purely vegetal designs comprising geometric features superimposed on leafy scrolls. The combination of geometric forms with scrolls or arabesques was typical of ivory carvings from the Mamluk period. The remaining pair bears inscriptions carved with a background of vegetal scrolls. The split leaves in all four panels have marked striations. The inscriptions include the name Sultan al-Nasir Muhammad ibn Qalawun (r. AH 692–741 / AD 1293–1341). These pieces were therefore either set into a door of a building belonging to the sultan, or into a piece of furniture in his possession. Ivory was often used in combination with wood for doors, furniture or caskets in Mamluk architecture and decorative arts.View Short Description
Two pairs of ivory panels with carved decoration. The inscriptions on two of the panels include the name Sultan al-Nasir Muhammad ibn Qalawun (r. AH 692–741 /AD 1293–1341). The pieces therefore probably came from a door or building belonging to the sultan.
Sultan al-Nasir Muhammad ibn Qalawun
The panels are inscribed with the name Sultan al-Nasir Muhammad ibn Qalawun who ruled from AH 692 to 741 / AD 1293 to 1341.
Acquired in 1880.
The panels are inscribed with the name of Sultan al-Nasir Muhammad ibn Qalawun who ruled in Cairo, Egypt.
Atil, E., Renaissance of Islam: Art of the Mamluks, Washington D.C., 1981, pp.210 (showing other Mamluk carved ivory objects).
Ward, R., "Two Ivory Plaques in The British Museum", in Cairo to Kabul (eds. W. Ball and L. Harrow), London, 2002, pp.248–54, plate 26.3.
Emily Shovelton "Ivory panels" in Discover Islamic Art, Museum With No Frontiers, 2019. http://islamicart.museumwnf.org/database_item.php?id=object;ISL;uk;Mus01;25;en
Prepared by: Emily ShoveltonEmily Shovelton
Emily Shovelton is a historian of Islamic art. She studied history of art at Edinburgh University before completing an MA in Islamic and Indian art at the School of Oriental and African Studies (SOAS) in London. Since graduating she has worked on a number of projects at the British Museum. Other recent work includes editing and writing for a digital database of architectural photographs at the British Library. She is currently working on a Ph.D. on “Sultanate Painting in 15th-century India and its relationship to Persian, Mamluk and Indian Painting”, to be completed at SOAS in 2006. A paper on Sultanate painting given at the Conference of European Association of South Asian Archaeologists, held in the British Museum in July 2005, is due to be published next year.
Copyedited by: Mandi Gomez
MWNF Working Number: UK1 30
Islamic Dynasties / Period
On display in
Virtual Visit Exhibition Trail
DownloadAs PDF (including images) As Word (text only)