London, England, United Kingdom
Victoria and Albert Museum
Around hegira 949–54 / AD 1545–50
Painted and glazed ceramic.
Height 28 cm, diameter 42.2 cm
A large bowl on a high foot. The decoration, painted in cobalt and turquoise under the glaze, consists of long, continuous stems which coil into tight spiral roundels. This is a decorative style which flourished in Ottoman ceramics between about the 1520s and the 1550s. It is often called the 'Golden Horn' style in reference to the area in Istanbul where such wares were once thought – probably erroneously – to have been made. Another name, less frequently used, is the 'tuğrakeş spiral' style. This term was devised to emphasize the apparent connection between this style of decoration and that found in products of the Ottoman imperial chancery, whose expert illuminator, the tuğrakeş, was entrusted with decorating the sultan's imperial monogram or tughra. The extraordinary size of this bowl, as well as the skill with which it is decorated, suggests production for the highest levels of the Ottoman hierarchy, although direct evidence for this is lacking.View Short Description
A very large footed bowl on a high foot, decorated with the tightly coiled spirals sometimes called the ‘Golden Horn’ style. The size and quality of this bowl suggests that it was made for a high-ranking Ottoman official, possibly for washing the feet during ablutions.
Stylistic comparison with other, similarly decorated wares and with the illumination of imperial monograms in the period mentioned in the description.
Purchased by the Museum in 1876.
Iznik was the centre of quality ceramic production in this period.
Atasoy, N., and Raby, J., Iznik: The Pottery of Ottoman Turkey, Istanbul/London, 1989, p.110, fig. 235 and pl. 324.
Denny, W., "Ceramics," Turkish Art (ed. E. Atil), Washington, DC, 1980, p.279.
Stanley, T., with Rosser-Owen, M. and Vernoit, S., Palace and Mosque: Islamic Art from the Middle East, London, 2004, p.56, p.102.
Barry Wood "Bowl" in Discover Islamic Art, Museum With No Frontiers, 2018. http://www.discoverislamicart.org/database_item.php?id=object;ISL;uk;Mus02;28;en
Prepared by: Barry WoodBarry Wood
Barry Wood is Curator (Islamic Gallery Project) in the Asian Department of the Victoria and Albert Museum in London. He studied history of art at Johns Hopkins University and history of Islamic art and architecture at Harvard University, from where he obtained his Ph.D. in 2002. He has taught at Harvard, Eastern Mediterranean University, the School of Oriental and African Studies, and the Courtauld Institute of Art. He has also worked at the Harvard University Art Museums and the Walters Art Museum in Baltimore. He has published on topics ranging from Persian manuscripts to the history of exhibitions.
Copyedited by: Mandi Gomez
MWNF Working Number: UK2 32