Edinburgh, Scotland, United Kingdom
Royal Museum, National Museums of Scotland (NMS)
Hegira 11th century / AD 17th century
Stone-paste (fritware) with blue, green and turquoise underglaze, over which a clear glaze.
28 cm x 28 cm
A stone-paste (fritware) tile that has a stenciled, symmetrical design based on four arabesque cartouches and four rose-like flowers that spring from a central star motif. The cartouches extend towards the tips of larger arabesque medallions in the corners of the tile, while the flowers have two curved stems extending above, ending in half-flowers to the left and right. This tile was part of a larger overall tile scheme.View Short Description
Tiles like this one are typical of tile production in Ottoman Syria during the AH 11th century / AD 17th century. They were on the whole intended to echo the Iznik style, but a typical feature of Syrian pieces is a palette restricted to blue, green, turquoise without the addition of bole-red.
It is accepted that tiles such as this were produced in Ottoman Syria during the 11th / 17th-century.
Purchased from the Major W. J. Myers Collection in 1900.
Tiles such as this one are typical of those produced in Ottoman Syria where the output was largely Iznik ware distinguished by a palette restricted to blue, green and turquoise without the addition of bole-red.
Atasoy, N., and Raby, J., Iznik: The Pottery of Ottoman Turkey, London, 1989, p.232, fig. 411 (For a similar Iznik-produced tile with virtually identical design and related to others placed in the mausoleum of Sultan Selim II in the Ayasofya).
Ulrike Al-Khamis "Tile" in Discover Islamic Art, Museum With No Frontiers, 2019. http://islamicart.museumwnf.org/database_item.php?id=object;ISL;uk;Mus03;50;en
Prepared by: Ulrike Al-KhamisUlrike Al-Khamis
Ulrike Al-Khamis is Principal Curator for the Middle East and South Asia at the National Museums of Scotland in Edinburgh. She began her academic career in Germany before completing her BA (1st class Hons) in Islamic Art and Archaeology at the School of Oriental and African Studies in London in 1987. The same year she moved to Edinburgh, where she completed her Ph.D. thesis on “Early Islamic Bronze and Brass Ewers from the 7th to the 13th Century AD” in 1994. From 1994 to 1999 she worked as Curator of Muslim Art and Culture for Glasgow Museums and, in 1997, was one of the main instigators of the first ever Scottish Festival of Muslim Culture, SALAAM. Since 1999 she has been based at the Royal Museum in Edinburgh, where she has curated several exhibitions and continues to publish aspects of the collections. In addition to her museum work she has contributed regularly to the teaching of the Fine Arts Department at the University of Edinburgh.
Copyedited by: Mandi Gomez
MWNF Working Number: UK3 50