Name of Object:

Bas-relief in carved marble


Tunis, Tunisia

Holding Museum:

Bardo Museum

Date of Object:

Hegira 4th–5th centuries / AD 10th–11th centuries

Museum Inventory Number:

E 16

Material(s) / Technique(s):

Carved marble.


Length 53 cm, width 35 cm

Period / Dynasty:





In the right-hand section of the bas-relief is a seated figure wearing a richly embroidered tunic. The heavy crown on his head defines him as a sovereign or military leader. With his right hand he lifts a cup to his lips. To his right a musician plays the flute. The man's head is covered with a veil and the sleeves of his tunic are decorated with bands containing geometric motifs. His eyes are almond-shaped and very prominent.
This bas-relief is one of those rare gems of Ifriqiyan art representing people and their daily life. The artist is totally unconcerned with anatomical detail. The musician's face does not betray age, type or expression. This work probably has its roots in a very ancient North African tradition. Some art historians hold that the style recalls various funeral stelae which the Romano-Africans dedicated particularly to Saturn and to Caelestis. Common features are the frontal poses, their rigidity, the indifference to spatial considerations and the prominence of the eyes. The similarities of this piece to several carvings in wood and ivory from the Spanish Umayyad, the Egyptian Fatimid and the Eastern Abbasid eras are astonishing, especially the face of the flute player, the costumes and the veils. The crown has been described as Norman by some experts. Similar crowns have been found on ivory panels from Fatimid Egypt and also on Mesopotamian pottery from the same era.

View Short Description

This bas-relief is one of the few Ifriqiyan pieces depicting an animal scene. A person dressed in a rich, embroidered tunic is sat on the right side of the bas-relief. He is wearing a crown on his head, suggesting that he is a king or military leader. To his right, a musician is playing the flute.

How date and origin were established:

The bas-relief was discovered at Mahdiyya, capital of the Fatimids and then of the Zirids during the 4th–5th / 10th–11th centuries, which tends to establish its dating in that era. This is corroborated by the large number of human figures and scenes from daily life produced in Ifriqiya at the same time.

How Object was obtained:

Following its chance discovery at Mahdiyya, the piece was acquired and shown at the Bardo Museum.

How provenance was established:

The Ifriqiyan origin of the decoration suggests the object was carved in situ re-using an old piece of Italian marble.

Selected bibliography:

Tunisie, terre de rencontres et de civilisation (catalogue de l'exposition de Séville), Tunis, 1992, p.265.
Mahfoudh F., “Entre Mahdiyya et la Sicile: Analyse d'un bas-relief sculpté”, Africa, 20, 2004, pp.5–33.
Marçais, G., “L'art musulman du XIe siècle en Tunisie d'après quelques trouvailles récentes”, Revue de l'art ancien et moderne, XLIV, 1923, pp.161–73.
Marçais, G., L'architecture musulmane d'Occident, Paris, 1954, p.197.
Yacoub, M., Chefs-d'œuvre du musée du Bardo, Tunis, 1978, pp.230–2.

Citation of this web page:

Mourad Rammah "Bas-relief in carved marble" in Discover Islamic Art, Museum With No Frontiers, 2020.;ISL;tn;Mus01_A;35;en

Prepared by: Mourad Rammah
Copyedited by: Margot Cortez
Translation by: David Ash
Translation copyedited by: Mandi Gomez

MWNF Working Number: TN 58