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A set of two reverse-glass paintings
London, United Kingdom
Khalili Family Trust – Nasser D. Khalili Collection of Islamic Art
About Khalili Family Trust – Nasser D. Khalili Collection of Islamic Art, London
Early 19th century
MSS 1093, MSS 1094
Watercolours on glass, executed in the reverse-glass or églomisé technique; in contemporary carved, painted and gilded wooden frames
Paintings: 55 x 36.5cm and 57.5 x 39cm; frames, max: 116 x 71cm and 118 x 73.5cm
Qajar
Iran
The technique of reverse-glass, or églomisé, painting became popular in Iran in the early 19th century, possibly as a result of imports from Europe. In this technique, the paint is applied behind the glass in reverse order, with the highlights and details applied before the background colours. The technique had also been practised in China since the 18th century.
Both the prince and the courtesan are depicted in bejewelled Qajar costume against European-inspired landscapes which are typical of Qajar paintings of the period. The paintings are not signed but have been compared to paintings by Mirza Baba, who may have been responsible for a cycle of reverse-glass paintings in the Marble Throne Hall of the Gulistan Palace in Tehran.
The carved and richly painted frames, with their bird-and-dragon openwork scroll borders, are contemporary.
Date and provenance are based on stylistic grounds.
Diba L.S., and Ekhtiar, M. (eds), Royal Persian Paintings. The Qajar Epoch, 1785–1925, exhibition catalogue, New York: Brooklyn Museum of Art, New York, 1998: no.63, pp.212–3.
Nahla Nassar "A set of two reverse-glass paintings" in Explore Islamic Art Collections. Museum With No Frontiers, 2026.
https://islamicart.museumwnf.org/database_item.php?id=object;EPM;uk;Mus21;33;en
Prepared by: Nahla Nassar
MWNF Working Number: UK1 33
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Exhibition(s)