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Album of calligraphic specimens
London, United Kingdom
Khalili Family Trust – Nasser D. Khalili Collection of Islamic Art
About Khalili Family Trust – Nasser D. Khalili Collection of Islamic Art, London
17th – early 18th century
MSS 1073
Ink, gold and opaque watercolour on paper; folios edged and backed with yellow silk; bound in lacquer-painted covers
60 folios; 40.5 x 32cm (folio)
Mughal
India; some specimens signed by various calligraphers; others with later attributions
The calligraphic panels, which are copied in naskhi, thuluth and riqa‘, are arranged in matching pairs with identical illumination, and mounted on double-page spreads splendidly decorated with patterns drawn from Mughal enamels or pietra dura work. The album bears a note to the effect that it is to calligraphy what the albums of Jahangir, the greatest connoisseur of the Mughal emperors, were to painting. It was very likely put together for Awrangzeb (r. 1658–1707), the first Mughal emperor of unimpeachable Muslim orthodoxy, who favoured calligraphy rather than painting. This magnificent presentation of the work of Indian scribes active in his reign gives a vivid impression of the restrained elegance of his court.
Originally bound as a concertina album in lacquer-painted covers, the album was rebound as a codex in Europe, sometime in the early 20th century.
Many of the individual panels are signed by or attributed to calligraphers active during the reign of the Mughal emperor Awrangzeb, and the album was most likely put together for him.
Rogers, J.M., The Arts of Islam. Masterpieces from the Khalili Collection, London: Thames & Hudson, 2010: cat.270, pp.234–5.
"Album of calligraphic specimens" in Explore Islamic Art Collections. Museum With No Frontiers, 2024. https://islamicart.museumwnf.org/database_item.php?id=object;EPM;uk;Mus21;49;en
MWNF Working Number: UK1 49
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