Dar al-Haddad
Bab Mnara, in the Medina, Tunis, Tunisia
Hegira 9th century / AD 15th century
Hafsid
The entrance to the palace is at the end of a blind alley which was once a private passage. After negotiating three off-set hallways one comes into the courtyard, which has porticoes on three sides. The kadhal columns have Hafsid capitals and are raised by imposts.
The fourth side of the courtyard has three elongated niches of the same height as the porticoes. Two stone benches sit in the lateral niches, while the central niche has a doorway.
A first-floor gallery runs around the four sides of the courtyard. In each corner, groups of three columns stand on canted plinths. A turned-wood balustrade running between the columns provides safety.
Contrary to the usual layout in palaces, the service areas are not separate from the main rooms but are situated on either side of the great hall opposite the entrance. On one side is a vaulted room which served as a provisions store. On the other is a room with a well, leading into a small courtyard off which one enters the kitchen, the latrines and a hammam with underground pipes carrying hot water from a furnace.
The largest room in the palace is on the west side of the first floor. Its layout is unique; a hall with a sunken area in the centre flanked by four small bedrooms. The north chamber possesses the only Turkish-influenced fireplace in the Tunis Medina. It consists of an arch with lambrequins beneath a conical chimney. The ceiling of sculpted and painted wood and the finely carved stuccos take their inspiration from the Andalusian tradition.
Named after a wealthy fez maker, Saïd al-Haddad from al-Andalus, this palace was built to the southwest of the Tunis suqs in the AH 10th / AD 16th century and later restored by the National Heritage Institute. The originality of its design, the scale of the structures and its rich architectural decoration, marked by Andalusian and Turkish influences, make it one of the most beautiful historical buildings in the Tunis Medina. It is now home to the Museum Development Division of the National Heritage Institute.
Artistic and architectural features: the facades with their flat-backed niches and the absence of Carrara marble and polychrome ceramics are typical of decoration before the 11th / 17th century.
Revault, J., L'habitation tunisoise, pierre, marbre et fer dans la consruction et le décor, Paris, 1978.
Revault, J., Palais et demeures de Tunis, Paris, t.1, XVIe–XVIIe siecles, 1967, pp.169–96.
Ifriqiya: Thirteen centuries of Art and Architecture in Tunisia, pp. 80–81.
Jamila Binous "Dar al-Haddad" in Discover Islamic Art, Museum With No Frontiers, 2024. 2024. https://islamicart.museumwnf.org/database_item.php?id=monument;ISL;tn;Mon01;31;en
MWNF Working Number: TN 31
RELATED CONTENT
Islamic Dynasties / Period
See also
Virtual Visit Exhibition Trail
Ifriqiya. Thirteen Centuries of Art and Architecture in Tunisia
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