Name of Object:

Incense Burner



Holding Museum:

Islamic Museum, al-Aqsa Mosque / al-Haram al-Sharif

About Islamic Museum, al-Aqsa Mosque / al-Haram al-Sharif, Jerusalem

Date of Object:

Hegira 842–57 / AD 1438–53

Museum Inventory Number:

أ/ ن/ 53

Material(s) / Technique(s):

Copper, engraved and inlayed with gold.


Height 42 cm, height (when suspended) 103 cm, diameter 14 cm

Period / Dynasty:



Probably custom-made in Cairo specifically for al-Haram al-Ibrahimi (the Ibrahimi Mosque) in Hebron (al-Khalil).


An incense burner of great beauty and fine workmanship that is also in very good condition. The engraved inscriptions on it indicate that the Mamluk sultan, al-Zahir Sayf al-Din Abu Said Muhammad Jaqmaq endowed it to al-Haram al-Ibrahimi (the Ibrahimi Mosque) in Hebron (al-Khalil), where it remained for a number of centuries until it was transferred in 1928 to the Islamic Museum in Jerusalem. The burner is elongated in form and has ribbed and curved surfaces. It is composed of three sections: the bottom section, the top section and the attachment and chains. The bottom section of the burner is a spherical container in the shape of an inverted dome in concordance with the top section of the burner, which takes the form of an elongated dome. The upper part of the bottom section is spherical, transforming into a ribbed surface with 12 faces and terminating in a ribbed edge that also has 12 faces. The spherical surface contains gilded epigraphic decorations that read: “There is no God but God, Muhammad is the prophet of God and Ibrahim [Abraham] is the friend of God. This blessed burner was endowed by our lord, the Sultan, the Sovereign, the Ruler, al-Zahir Abu Said Muhammad, May God strengthen his triumph, to al-Haram al-Ibrahimi”. The burner rests on a slightly elevated base, which widens towards the bottom; it is ribbed with 12 sides and is decorated with gold lines.
The upper section is the cover or lid. It is in the shape of a dome faced by two spherical forms: the upper, smaller one and the lower. This section of the burner contains two inscriptions. The bottom of the cover has a ribbed surface of 12 faces, each containing vegetal decoration in the form of a lotus blossom. The cover terminates in a ribbed edge.
There are three suspension loops on the top of the lower section attached to which are chains; the chains are attached to the three suspension loops on the bottom of the burner. The attachment and chains is in the form of a small dome, the apex of which is connected to the hook for hanging. The dome of the attachment is ornamented with vegetal decoration in addition to 12 small spheres, which adhere to the ribbed neck. There is a gilded inscription on the attachment that reads: “The burner is thus the burner of the humble servant, Abd al-Qadir bin Muhammad Qabzi”.

View Short Description

This burner was donated, as indicated by its gilded inscriptions, by Sultan al-Zahir Jaqmaq. It is an elongated burner with ribbed surfaces with twelve divisions. It is composed of three sections: the bottom, the upper section with the lid, and the attachment and chains. It is decorated with vegetal motifs.

Original Owner:

Sultan al-Zahir Sayf al-Din Abu Said Muhammad Jaqmaq (r. AH 842–57 / AD 1438–53)

How date and origin were established:

This piece was dated by the inscriptions that indicate this incenser belonged to Sultan al-Zahir Jaqmaq.

How Object was obtained:

The piece was transferred from the Haram al-Ibrahimi (the Ibrahimi Mosque) in Hebron to the Islamic Museum in Jerusalem in 1928.

How provenance was established:

It is probable that the incenser was made in Cairo for its construction resembles other objects from the ateliers in Cairo during this period. The incenser was endowed to the Haram al-Ibrahimi in Hebron by the Mamluk sultan, al-Zahir Sayf al-Din Abu Said Muhammad Jaqmaq, an assertion based on the inscription.

Selected bibliography:

Abu Khalaf, M., Islamic Art Through the Ages: Masterpieces of the Islamic Museum of al-Haram al-Sharif, Jerusalem, 1998.

Citation of this web page:

Nazmi Al-Ju'beh "Incense Burner" in Discover Islamic Art, Museum With No Frontiers, 2021.;ISL;pa;Mus01;21;en

Prepared by: Nazmi Al-Ju'behNazmi Al-Ju'beh

Nazmi Al-Ju'beh is an archaeologist and historian and Co-Director of RIWAQ, Centre for Architectural Conservation in Ramallah, Palestine. He studied at Birzeit University in Palestine and at Tübingen University in Germany. He taught at Birzeit University and at al-Quds University. He was Director of the Islamic Museum, al-Haram al-Sharif, Jerusalem, and directed various cultural heritage projects in Palestine, including surveys of archaeological and architectural sites. He was a major contributor to Pilgrimage, Sciences and Sufism: Islamic Art in the West Bank and Gaza (Vienna: MWNF, 2004) and is the author of numerous publications on the history, archaeology and cultural heritage of Palestine.

Copyedited by: Majd Musa
Translation by: Amal Sachedina (from the Arabic).
Translation copyedited by: Mandi GomezMandi Gomez

Amanda Gomez is a freelance copy-editor and proofreader working in London. She studied Art History and Literature at Essex University (1986–89) and received her MA (Area Studies Africa: Art, Literature, African Thought) from SOAS in 1990. She worked as an editorial assistant for the independent publisher Bellew Publishing (1991–94) and studied at Bookhouse and the London College of Printing on day release. She was publications officer at the Museum of London until 2000 and then took a role at Art Books International, where she worked on projects for independent publishers and arts institutions that included MWNF’s English-language editions of the books series Islamic Art in the Mediterranean. She was part of the editorial team for further MWNF iterations: Discover Islamic Art in the Mediterranean Virtual Museum and the illustrated volume Discover Islamic Art in the Mediterranean.

True to its ethos of connecting people through the arts, MWNF has provided Amanda with valuable opportunities for discovery and learning, increased her editorial experience, and connected her with publishers and institutions all over the world. More recently, the projects she has worked on include MWNF’s Sharing History Virtual Museum and Exhibition series, Vitra Design Museum’s Victor Papanek and Objects of Desire, and Haus der Kulturen der Welt’s online publication 2 or 3 Tigers and its volume Race, Nation, Class.

MWNF Working Number: PA 21


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