The Normans in Sicily
Christian Sicily and Islamic Figurative Culture: Foundations and Continuity
'It was the Normans that left Sicily with some of the most valuable examples of Islamic art.'
Paradoxically, it was the Christian kingdom of the Normans that left Sicily with some of the most valuable examples of Islamic art to be found in the Mediterranean basin, albeit with the addition of classical, Byzantine and Iranian elements. Instead of seeking to antagonise its predecessors, the new dynasty consciously assimilated Islamic culture and customs, looking to the contemporary Muslim world for the refined culture that it could offer. Contact between the cultures was not limited to Muslims who had remained on the island, but most notably extended to the relationship between the Norman court and the Fatimid Caliphate of Cairo, which is evident from diplomatic and commercial relations and even in the exchange of gifts, such as those between Caliph al-Hafiz (r. 1131–49) and Ruggero II. It is highly likely that some of the craftsmen employed in the royal Norman workshops came from Egypt.
Painted wooden ceiling of the Palatine Chapel

Between 1131 and 1140
Norman
Palermo, Italy
The extremely sophisticated painting on the wooden ceiling of the Cappella Palatina demonstrates the assimilation of figurative and stylistic models borrowed from Egyptian Fatimid art.